| For the self-promoting independent artist, the idea | | | | Now, even the least popular music genres are |
| of taking on a radio promotion campaign can, in | | | | certain to find a financial comfort zone with a |
| itself, become overwhelming. But, this idea is | | | | market of almost 16 million unique principals. |
| usually based on such artists attempting to obtain | | | | So, what results could really popular commercial |
| worldwide airplay on a local budget. | | | | music genres experience, simply by working the |
| And, in doing so, self-promoting independent | | | | various entities of the college market, i.e., campus |
| artists quickly discover another factor not usually | | | | radio, campus press, campus bookstores, campus |
| considered previously...that engaging in a worldwide | | | | music stores, campus live performances? Quite |
| radio promotion campaign translates to hundreds | | | | pleasant ones, I would suspect. |
| and, possibly, thousands of CD units for media | | | | But, remember! The above statistics only |
| contacts alone. | | | | reference the United States college/university |
| As you can see, this can also quickly become a | | | | potential listenership. College radio also has a |
| nightmare for indie artists, particularly, if the | | | | respectable portion of listeners who are *not* |
| promotion budget only allows for the purchase of | | | | students. |
| 1,000-CD packages at a time. | | | | Add to that, listeners of college radio who strictly |
| Starting in the 1980's, college radio became a | | | | listen to the streaming portion of college radio |
| dominant force in not only discovering independent | | | | online, and who may, or may not, be in the |
| recording artists, but also in introducing new artists | | | | college's geographical area, i.e., military service |
| to the general public. Hundreds of these particular | | | | members. |
| artists have gone on to become established | | | | Plus, there is lot more of the college market |
| 'household' names. | | | | abroad, of which U. S.-based artists would do well |
| Likewise, the college radio level has a continued | | | | to approach English-speaking nations first, i.e., |
| history of presenting, practically, all forms of | | | | United Kingdom, Australia, Ireland, subsequently, |
| music, much of which would never see the | | | | moving into additional nations. |
| proverbial light of day at the commercial radio | | | | While it may (or may not) be true that it is |
| level and, in many cases, neither at the non | | | | possible for commercial radio stations to be the |
| commercial level. | | | | primary driving force behind most retail sales, that |
| Therefore, if an artist has limited funds for radio | | | | theory may not be so valid today, given the fact |
| promotion, it is highly advisable that the he begin | | | | that: |
| exclusively with college radio for the following | | | | * With the Internet, artists are no longer required |
| reasons: | | | | to sell millions of CDs to make a great living |
| * Far easier and faster access to airwaves | | | | financially |
| * Far more plentiful specialty and mix shows and | | | | * Artists have greater and easier access to far |
| programs | | | | more radio stations (broadcast, satellite, internet, |
| * Greater chances for both in-studio and | | | | college) |
| telephone interviews to promote music releases | | | | * With the college community, and all of its |
| * More possibilities for station ID checks for | | | | combined promotion and sales aspects (radio, |
| further publicity | | | | bookstores, music stores, live performances), if |
| * Corresponding college campus newspapers that | | | | conducted correctly, the college market campaign |
| will more readily accept and support music aired | | | | can equalize and, in some cases, even supersede |
| on their campus stations for creating a | | | | commercial radio results. |
| campus-wide buzz | | | | _____________ |
| * A ready and built-in market in the campus | | | | [---Additional Statistics---] |
| community for repeated live performances to | | | | Top 10 College Enrollment: |
| further support and supplement campus airplay | | | | Miami-Dade College (51,717) University of Texas |
| and campus press coverage | | | | at Austin (50,616) Ohio State University (48,477) |
| * An opportunity for grassroots distribution | | | | University of Minnesota—Twin Cities (46,597) |
| through supplying both campus bookstores and | | | | University of Florida (46,516) Arizona State |
| campus music stores with music releases | | | | University (45,693) Texas A&M University |
| Is the college market a viable market for your | | | | (44,618) Michigan State University (44,227) |
| music sales? | | | | University of Wisconsin Madison (40,912) |
| Though the question is rhetorical in nature, please | | | | Pennsylvania State University at University Park |
| review the below U. S. college population statistics: | | | | (40,828) |
| * There are 631 public 4-year colleges and | | | | (The above figures were reported in Almanac |
| universities that have a combined student | | | | 2004-2005, published by the Chronicle of Higher |
| population of 6,236,455. | | | | Education, August 27, 2004.) |
| * There are also 1,835 private 4-year colleges and | | | | _____ |
| universities with a combined student population of | | | | What College Students Spend on Music: |
| 3,440,953. | | | | According to a recent Harris Interactive survey, |
| * Additionally, there exists 1,081 public 2-year | | | | college students spend $200 billion...that's |
| colleges with a combined student population of | | | | right...BILLION dollars per year, with 76% of the |
| 5,996,701. | | | | students having spent $2,746,000 on music alone. |
| * Even further, 621 private 2-year colleges host | | | | Note: As an added advantage, the self-promoting |
| another 253,878 students. | | | | independent artist should also create an Internet |
| This brings the average U. S. student population | | | | radio promotion campaign simultaneously, since |
| total to a whopping 15,927,987 minimum every | | | | most 'net stations are accepting of MP3 files for |
| year. And, more people are attending some form | | | | airplay, thus, reducing packaging and shipping costs |
| of higher education than ever before. | | | | of CDs to stations. |